A predominantly non-verbal drama series exploring the interconnections of a group of young BIPOC creatives in London.

The inhabitants of a deteriorating section of 1968 Junction City, Kansas known as "Junk City" bemoan their existence and revel at the history of their neighborhood during its 1940's heydays when legendary jazz musicians regularly played its clubs. In 1968, the area has diminished to strip clubs and juke joints inhabited by Vietnam War draftees that pass through from nearby Fort Riley. Heads of the group include a wino who lost a leg in WWII, a taxi dispatcher, a saloon owner, and a crazed bag lady. The younger generation is represented by a young prostitute who is trying to get off the streets, but is forced to continue to work by a no-good boy friend and the need to feed her baby. Martin Sheen also appears as a white minister who prefers the people in the area over his own congregation.

Why the hell would you want to play for the Toronto Boxsprings? They’re a bad team in a lousy inter-county league. They’re owned by a crappy discount mattress store. Even their locker room sucks - stuck in the leaky basement of a local dive bar.

When the Victorian Government locks down his public-housing building, a teenager responsible for his mother’s welfare is pushed to the brink. Bursting with incendiary rage, this tense drama – shot with an almost harsh, vérité-style realism – presents an insider’s view on a distressing, still-unresolved chapter of recent Melbourne history.

It is summer in the 1980s, and ten-year-old Sara's whole world is her front yard and the park at the end of the street. With her parents consumed in domestic battles, Sara experiences life uncensored. She glimpses sex, both gorgeous and awful, and broken hearts, one of them, her own. When Sara's idea of fun gets her forbidden from everyone her own age, Sara finds her way into the lives of two older boys; boys who, like Sara, are ill-fitting neighborhood legends.

Jada's estranged father is murdered. His father's death draws her to an ancient Sect, led by Jada's grandfather. Jada and her friends are used as pawns. Jada's only hope is Finn, possible soulmate and her father's killer.

Jada's estranged father is murdered. His father's death draws her to an ancient Sect, led by Jada's grandfather. Jada and her friends are used as pawns. Jada's only hope is Finn, possible soulmate and her father's killer.

Pedantic policeman Frantisek (Ondrej Vetchý) wants to bring up his three daughters with a firm hand. He would like to see the girls coupled with capable and successful men, but instead they have the talent to find the opposite. Moreover, one of them is constantly trying to get pregnant, second one is only dating exotic fools and the third one is expecting a baby without knowing who is the father. Frantisek and his wife (Simona Stasová) always spend their vacation at the local lake, although the wife is dreaming of the seaside. One day she meets a bohemian writer with slightly suicidal tendencies (Miroslav Táborský) and an attractive colleague with Spanish roots (Kristína Peláková) walks into Frantisek's office and things get moving...

Cancer appeared one morning on her right breast and suddenly life became fragile and precious. A filmmaker decided to chronicle time passing, with all its beautiful simplicity. The film diary of a family, pieces of an Argentinian fiction film that wants to be completed, a tumor that dreams to be loved, two hunters looking for something to kill. The film glides between reality and fiction as the filmmaker tries to grasp the essence of his passing life.

李栋旭饰演相国大学医院急诊医疗中心专科医生艺镇宇，是一名注重医德的医生。 　　曹承佑饰演相国大学医院总括社长具胜孝，他是认为数据高于一切的冷酷…